full script of rocky balboa speech to son

FULL SCRIPT OF ROCKY BALBOA SPEECH TO SON MOVIE

I’ve still got some junk in my mezzanine.”) Meanwhile, Rocky (Stallone, doing his best acting since COP LAND, 1997), pushing 60 and experiencing the mid-life crisis most of us go through at 40, points to his stomach and confesses to Pauly ( Burt Young, as acerbic as ever) that he’s “still got some junk in the basement.” (I imagine the “basement” would be lower than the abdominal area, but I suppose it wouldn’t read as well if he said, “Yo, Pauly.

In yet another snide commentary – on the virtual world of the iPod and eFluenced generation – the plot is jogged into training by a televised computer matchup pitting a former boxing champ, Rocky, with the current champ, Dixon, Rocky’s pixels knocking out Dixon’s pixels, which – like the soft-minded real world of today – causes untold media debate and streetside squabbles pertaining to the “reality” of the computer’s decision. The opening lines unashamedly foreshadow the plot, as we see current World Heavyweight Boxing Champion, Mason “The Line” Dixon (real-life light heavyweight champion, Antonio Tarver) in a television broadcast, being criticized as winning against losers in uninspiring matches (mayhaps a commentary on the state of boxing today?), commentator opining that boxing is “looking for a warrior to thrill us with his passion.” Cue Rocky’s saddened Philadelphia existence, wife Adrian having died five years ago, the Italian Stallion now eking out a living managing a reasonably popular Italian restaurant called “Adrian’s” (with Mexican cooks – most definitely a commentary on the workforce of today).

FULL SCRIPT OF ROCKY BALBOA SPEECH TO SON MOVIE

Stallone has gone the way of the darker prequels and pared-down sequels, in giving us an earthy, gritty final chapter in the Rocky legacy, which makes for a sturdy bookend to the series.īringing to mind two recent revampings, viewing ROCKY BALBOA is like watching BATMAN BEGINS (a grittier character study of a well-worn icon, using latest filmic techniques), but with the content of SUPERMAN RETURNS (the script for the first movie in the series dusted off and sold as original). The problem with franchises revisiting their roots is that they neglect the very elements that earned them their laurels, going “Hollywood” to chase the wider demographics and the easy cash. Yes, it’s about resurrecting a staple source of income, mining a well long thought run dry – but there’s nothing wrong with that if it is done this compellingly. (We are told that his other stormbringer, Rambo, is following suit.) Thankfully, writer-director-star Stallone waited for the right time and the right script to make it worthwhile. So it was never a question of IF his dambuster icon, Rocky, would tread the canvas once more, but whether the excursion would be a worthwhile one or just another throwaway sequel adding to the dilution of Rocky’s legacy. Whilst working in one mediocre/forgotten/unseen film after another, Sylvester Stallone must have champed at the bit watching the glut of sequels, prequels and freak-quels litter the Hollywood wasteland. Something old (Stallone), something new (this film), something borrowed (the script from ROCKY), something blue (Talia Shire, excised from this story for dramatic impact and watching from the ropes as ROCKY BALBOA garners accolades as the best Rocky movie since ROCKY). Retirement never looked so good – for the YOUNG guy! Rocky LX: Grandpa’s Revenge, OR, The Senior Citizen that became a Child Beater.

Full script of rocky balboa speech to son